d
r
e
a
m
we try
but we don't belong
mmm. cookies.
but we don't belong
you'll know where you are
mmm. cookies.
Fender CIJ ST71-93TX | Yamaha AES620
Line 6 M13 > ^Effects Loop In > OM Labs Sahasrara > Xotic BB Pre-amp
Catalinbread Dirty Little Secret > Tech 21 Liverpool > Effects Loop Out^ >
Stereo Out >> Boss FV-50L > Vox AC4TVH 4W amp & V112TV 12" cab
>> Vox Pathfinder 15R
ASIO bit-matched WinAmp > ASUS Xonar Essence STX >
Denon AH-D2000 | Audio-Technica ESW10jpn | Nakamachi Soundspace 1
iPod Touch 2g 16GB > Sennheiser IE8
Total Damage: $7010+++
Other notable gear I own or have owned/loaned/tested extensively -
Epiphone WildKat | Monsterpiece NPN Fuzz | Goosoniqueworx Boosty | Visual Sound Route 66
Voodoo Labs Tremolo | Electro Harmonix White Finger | Electro Harmonix Mini Q-Tron
Red Witch Medusa | Death by Audio Total Sonic Annihilation | Line6 DL-4
ProCo Rat2 | Tonefactor Huckleberry | Boss CH-1 | Boss DD-20 | Yamaha Magicstomp
Empress Effects Tremolo | Boss RE-20 | Moog MuRF
Vox VBR-1 Brian May Special | Blackheart Little Giant & 12" Cab
Audio-Technica AD700 | ALO Cryo SXC 18g| Ultimate Link Silver Master-i | Crossroads XBi
Sony MDR-EX71 | Westone UM1 | Etymotic ER6i | Graham Slee Voyager
Mogami 2549 OFC IC | iBasso D3 Python
Feel free to ask me for mostly unbiased reviews in proper english - with pratical considerations from the viewpoint of a budget-conscious student
Line 6 M13 > ^Effects Loop In > OM Labs Sahasrara > Xotic BB Pre-amp
Catalinbread Dirty Little Secret > Tech 21 Liverpool > Effects Loop Out^ >
Stereo Out >> Boss FV-50L > Vox AC4TVH 4W amp & V112TV 12" cab
>> Vox Pathfinder 15R
ASIO bit-matched WinAmp > ASUS Xonar Essence STX >
Denon AH-D2000 | Audio-Technica ESW10jpn | Nakamachi Soundspace 1
iPod Touch 2g 16GB > Sennheiser IE8
Total Damage: $7010+++
Other notable gear I own or have owned/loaned/tested extensively -
Epiphone WildKat | Monsterpiece NPN Fuzz | Goosoniqueworx Boosty | Visual Sound Route 66
Voodoo Labs Tremolo | Electro Harmonix White Finger | Electro Harmonix Mini Q-Tron
Red Witch Medusa | Death by Audio Total Sonic Annihilation | Line6 DL-4
ProCo Rat2 | Tonefactor Huckleberry | Boss CH-1 | Boss DD-20 | Yamaha Magicstomp
Empress Effects Tremolo | Boss RE-20 | Moog MuRF
Vox VBR-1 Brian May Special | Blackheart Little Giant & 12" Cab
Audio-Technica AD700 | ALO Cryo SXC 18g| Ultimate Link Silver Master-i | Crossroads XBi
Sony MDR-EX71 | Westone UM1 | Etymotic ER6i | Graham Slee Voyager
Mogami 2549 OFC IC | iBasso D3 Python
Feel free to ask me for mostly unbiased reviews in proper english - with pratical considerations from the viewpoint of a budget-conscious student
but for now we are young
let us lay in the sun
and count every beautiful thing we can see
It's late, and I need to get up early tomorrow, but before I go to bed I just have to jot down some thoughts about the greatest musical experience I witnessed in my entire life. Greater than oft-repeated highlights of hearing the mellotron intro to kid a at the impressionable age of 14; or being clued into the raw power of tube amp distortion - those were influential, revelatory, but relatively succinct episodes; Joanna Newsom's concert was 90 mins worth of quintessential live music experience.
Listening to her breathtaking harp and weirdly wondrous voice on record is a marvel - watching it live is something that opens one's mind to new musical horizons. The requisite alacrity for harp proficiency might ostensibly produce an immediate but superficial awe, but let's not forget that Newsom is a songwriter and performer - and vocalist, particularly since the recording of Have One on Me - of the highest order; destined to be immortalized in the annals of folk music, like her hero and opening performer Roy Harper.
Backed by a band of immensely talented individuals (who are self-confident enough to realize one or two little mistakes need not detract from the performance at all), she brought the regal classicism of technical excellence to a show with the grandiose momentum of an arena rock event. From the conspicuous - such as the graceful arm gestures after a pizzicato violin phrase - to the subtle - as with the sympathetic resonance of un-muted mandolin strings - each moment was immaculately crafted to perfection. I watched in amazement - without an ounce of envy, or the slightest feeling of "hey, maybe one day I might be able to play something like that", that I sometimes catch myself experiencing at such shows - and simply enjoyed witnessing masters of their craft at work.
But back to Joanna... she was so sweet and lovely in person! Whoever gave me the impression that she was something of a snob? Her inimitable vocal inflections - in turns delicate and tender; or playful and lilting - never fails to seize one's attention; hearing it live was strangely natural, and further testament of how well she's developed it as an integral instrument in her music. I could, and really should, go on, but I'll spare everyone the allegories and alliteration (but mostly, I need sleep). In closing, I thank God for such a beautiful, downright moving performance.
Tomorrow, I return to the mundane drudgery of engineering texts and school projects. But today..today I remember how wondrous a gift music is. On a day where terrible weather, train delays, and the incessant shifting around of an old man in the seat in front of me threatened to make my day miserable.. Thank You God for the splendid creativity You have blessed people like Joanna with; and enabling them to share their gift with the world. Heck, thank You that I'm able to appreciate her music (cos there are people who don't *shrug*). And of course, thank you, Joanna.
let us lay in the sun
and count every beautiful thing we can see
tears, goosebumps, and all that jazz
Monday, May 31, 2010 ( 8:03 AM )
It's late, and I need to get up early tomorrow, but before I go to bed I just have to jot down some thoughts about the greatest musical experience I witnessed in my entire life. Greater than oft-repeated highlights of hearing the mellotron intro to kid a at the impressionable age of 14; or being clued into the raw power of tube amp distortion - those were influential, revelatory, but relatively succinct episodes; Joanna Newsom's concert was 90 mins worth of quintessential live music experience.
Listening to her breathtaking harp and weirdly wondrous voice on record is a marvel - watching it live is something that opens one's mind to new musical horizons. The requisite alacrity for harp proficiency might ostensibly produce an immediate but superficial awe, but let's not forget that Newsom is a songwriter and performer - and vocalist, particularly since the recording of Have One on Me - of the highest order; destined to be immortalized in the annals of folk music, like her hero and opening performer Roy Harper.
Backed by a band of immensely talented individuals (who are self-confident enough to realize one or two little mistakes need not detract from the performance at all), she brought the regal classicism of technical excellence to a show with the grandiose momentum of an arena rock event. From the conspicuous - such as the graceful arm gestures after a pizzicato violin phrase - to the subtle - as with the sympathetic resonance of un-muted mandolin strings - each moment was immaculately crafted to perfection. I watched in amazement - without an ounce of envy, or the slightest feeling of "hey, maybe one day I might be able to play something like that", that I sometimes catch myself experiencing at such shows - and simply enjoyed witnessing masters of their craft at work.
But back to Joanna... she was so sweet and lovely in person! Whoever gave me the impression that she was something of a snob? Her inimitable vocal inflections - in turns delicate and tender; or playful and lilting - never fails to seize one's attention; hearing it live was strangely natural, and further testament of how well she's developed it as an integral instrument in her music. I could, and really should, go on, but I'll spare everyone the allegories and alliteration (but mostly, I need sleep). In closing, I thank God for such a beautiful, downright moving performance.
Tomorrow, I return to the mundane drudgery of engineering texts and school projects. But today..today I remember how wondrous a gift music is. On a day where terrible weather, train delays, and the incessant shifting around of an old man in the seat in front of me threatened to make my day miserable.. Thank You God for the splendid creativity You have blessed people like Joanna with; and enabling them to share their gift with the world. Heck, thank You that I'm able to appreciate her music (cos there are people who don't *shrug*). And of course, thank you, Joanna.
between the click of the light
and the start of the dream
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talk.
silence from you is like the death of a tune
i was dropped from moonbeams
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Lifehacker
Slate
Neil Gaiman's journal
Gorilla vs Bear
Stereogum
StumbleUpon
Daily Dose of Imagery
The Onion
Daytrotter Radio
Quest Studios
Home Star Runner
Guitar Praise
FAIL Blog
Wallpaper*
A Heart Can Stop A Bullet
2 or 3 Things I Know
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wish away your nightmare
you've got a light you can feel it on your back
WTS
Psychology txtbook, Santrock 7th ed $40
OM Labs Sahasrara $175
ProCo Rat 2 =( $140
Creative X-Fi XtremeMusic $70
WTB
Inquiries pls pm me on msn/fb, thx
original template by DancingSheep
you've got a light you can feel it on your back
misc
so goes the backing track of all the sighs we ever sighed
WTS
Psychology txtbook, Santrock 7th ed $40
OM Labs Sahasrara $175
ProCo Rat 2 =( $140
Creative X-Fi XtremeMusic $70
WTB
Inquiries pls pm me on msn/fb, thx
original template by DancingSheep