d
r
e
a
m
we try
but we don't belong
mmm. cookies.
but we don't belong
you'll know where you are
mmm. cookies.
Fender CIJ ST71-93TX | Yamaha AES620
Line 6 M13 > ^Effects Loop In > OM Labs Sahasrara > Xotic BB Pre-amp
Catalinbread Dirty Little Secret > Tech 21 Liverpool > Effects Loop Out^ >
Stereo Out >> Boss FV-50L > Vox AC4TVH 4W amp & V112TV 12" cab
>> Vox Pathfinder 15R
ASIO bit-matched WinAmp > ASUS Xonar Essence STX >
Denon AH-D2000 | Audio-Technica ESW10jpn | Nakamachi Soundspace 1
iPod Touch 2g 16GB > Sennheiser IE8
Total Damage: $7010+++
Other notable gear I own or have owned/loaned/tested extensively -
Epiphone WildKat | Monsterpiece NPN Fuzz | Goosoniqueworx Boosty | Visual Sound Route 66
Voodoo Labs Tremolo | Electro Harmonix White Finger | Electro Harmonix Mini Q-Tron
Red Witch Medusa | Death by Audio Total Sonic Annihilation | Line6 DL-4
ProCo Rat2 | Tonefactor Huckleberry | Boss CH-1 | Boss DD-20 | Yamaha Magicstomp
Empress Effects Tremolo | Boss RE-20 | Moog MuRF
Vox VBR-1 Brian May Special | Blackheart Little Giant & 12" Cab
Audio-Technica AD700 | ALO Cryo SXC 18g| Ultimate Link Silver Master-i | Crossroads XBi
Sony MDR-EX71 | Westone UM1 | Etymotic ER6i | Graham Slee Voyager
Mogami 2549 OFC IC | iBasso D3 Python
Feel free to ask me for mostly unbiased reviews in proper english - with pratical considerations from the viewpoint of a budget-conscious student
Line 6 M13 > ^Effects Loop In > OM Labs Sahasrara > Xotic BB Pre-amp
Catalinbread Dirty Little Secret > Tech 21 Liverpool > Effects Loop Out^ >
Stereo Out >> Boss FV-50L > Vox AC4TVH 4W amp & V112TV 12" cab
>> Vox Pathfinder 15R
ASIO bit-matched WinAmp > ASUS Xonar Essence STX >
Denon AH-D2000 | Audio-Technica ESW10jpn | Nakamachi Soundspace 1
iPod Touch 2g 16GB > Sennheiser IE8
Total Damage: $7010+++
Other notable gear I own or have owned/loaned/tested extensively -
Epiphone WildKat | Monsterpiece NPN Fuzz | Goosoniqueworx Boosty | Visual Sound Route 66
Voodoo Labs Tremolo | Electro Harmonix White Finger | Electro Harmonix Mini Q-Tron
Red Witch Medusa | Death by Audio Total Sonic Annihilation | Line6 DL-4
ProCo Rat2 | Tonefactor Huckleberry | Boss CH-1 | Boss DD-20 | Yamaha Magicstomp
Empress Effects Tremolo | Boss RE-20 | Moog MuRF
Vox VBR-1 Brian May Special | Blackheart Little Giant & 12" Cab
Audio-Technica AD700 | ALO Cryo SXC 18g| Ultimate Link Silver Master-i | Crossroads XBi
Sony MDR-EX71 | Westone UM1 | Etymotic ER6i | Graham Slee Voyager
Mogami 2549 OFC IC | iBasso D3 Python
Feel free to ask me for mostly unbiased reviews in proper english - with pratical considerations from the viewpoint of a budget-conscious student
but for now we are young
let us lay in the sun
and count every beautiful thing we can see
RANT WARNING. I'm just gonna type as I go along, expect minimal structure. I don't know what's the point of this post, so maybe don't read unless you're as bored as I am. Yes, I bought a new headphone amp; no, it probably wasn't the most efficient use of $280. In any audio rig the most important components are the source and the speakers - I've known this for the longest time, and i'll justify my purchase later. The most cost-effective way to get a better sound is to upgrade these two and skip the stuff in between. I've been through 4 different interconnects (why aren't they just called cables??) ranging from a $60 DIY Mogami to a $150 ALO cryo silver, and they all sound practically identical. Yes, copper is slightly warmer and dynamic, silver is more balanced and analytical, but these differences - already minute even at higher volumes - practically vanish when you're on the bus/train. If you're talking about differences between different types of copper, silver and crystal, they're even more negligible. As long as you aren't using some cheapo oem cables thinner than clothes hangers, you'll be fine. Paying 3digit sums for an IC is, well, lame. Hello, it's a few inches of metal, its spsd to be cheap!
Amps suffer a similar problem, and I suspect most ppl purchase based on the mojo factor as well. To put it simply, portable amps suck. The basic designs are identical, the variations are circuit implementation and design, and component quality. I've never heard the Lisa or a Pico, but I've heard the RSA amps many times, including the feted SR71. So too the Corda Move and of course my recently acquired iBasso D3. They all suck. The price in relation to sound, compared to dedicated desktop or home units, is pretty abysmal. It's an unfair comparison, but a universal truth in terms of absolute SQ. And once again, whatever improvements in bass extension and definition, airiness, imaging, and whatever fancy superlatives you can throw in - and there are improvements, certainly - get obscured by background noise.
ICs, amps, caps (external capacitors! can you imagine it, it's like carrying a freaking bomb around! And after all the effort Apple puts into shrinking their players down..) - none of them will truly give you a instant "wow" effect on the go, which is what they were intended for. You'll hear more improvement changing eartips to get better isolation. Granted, I don't have golden ears..but I do think I'm more experienced than the majority. And yes I see the folly of investing too much in the head-fi hobby. I've nvr liked the term audiophile, it somehow depicts one who is more in love with the sound than with the music. Well, listening to Westlife on a pair of Stax electrostatic cans isn't gonna make me suddenly like them..at the same time, I still enjoy my music even through the terribad Kenwood system in my parent's car.
The main reason I bought the D3 is cos good portable sources are kinda non-existent. Apple's pre-amp, even on their latest iPod range, falls short. Cowon, Zune, Creative, Sanza etc are too ugly, expensive, or difficult to use, and most of them don't have a true line-out, one of Apple's trump cards. So unfortunately, short of getting an iMod, the only way to improve my source is to get an amp. The .22 was alright but honestly not much better than the iPod by itself. In the event I get a larger headphone, I'll also need an amp to drive it so i'll just take it as an investment for the future. A good portable DAC is also sth I've been eyeing for a long time, since using headphones on computers without one just kills your ears. The Go-vibe was decent, but once again the D3 is alot cleaner and clearer.
I recently tried the legendary-before-it-was-made Westone 3, and the soon-to-be-legendary Sennheiser IE8. Both are ~$600, and sound better than any IEM i've tried, regardless of amping. The best universals - one balanced armatures, the other dynamic driver - cheaper than most amps. I was sorely tempted to get either (or both o.o) but I still enjoy my atrio alot so I'll resist the upgraditis. In any case, they won't sound 2x better than the atrio even at over 2x the price - diminishing returns is a painful reality, so is financial responsibility. Anw, I've made a couple of resolutions regarding audio equipment for the coming year(s): 1. No more upgrading of amp/DAC/IC. 2. Save for the W3/IE8 and forever be satisfied, covet not after customs. 3. Save for a very good pair of headphones and forever leave head-fi. 4. Never, ever, wander into home hi-fi territory until I have over $50k in savings. 5. Stop looking at new guitars. Thx for reading, sorry about your eyes. I like this font type and size!
let us lay in the sun
and count every beautiful thing we can see
the silliness of portable head-fi
Monday, December 1, 2008 ( 12:59 PM )
RANT WARNING. I'm just gonna type as I go along, expect minimal structure. I don't know what's the point of this post, so maybe don't read unless you're as bored as I am. Yes, I bought a new headphone amp; no, it probably wasn't the most efficient use of $280. In any audio rig the most important components are the source and the speakers - I've known this for the longest time, and i'll justify my purchase later. The most cost-effective way to get a better sound is to upgrade these two and skip the stuff in between. I've been through 4 different interconnects (why aren't they just called cables??) ranging from a $60 DIY Mogami to a $150 ALO cryo silver, and they all sound practically identical. Yes, copper is slightly warmer and dynamic, silver is more balanced and analytical, but these differences - already minute even at higher volumes - practically vanish when you're on the bus/train. If you're talking about differences between different types of copper, silver and crystal, they're even more negligible. As long as you aren't using some cheapo oem cables thinner than clothes hangers, you'll be fine. Paying 3digit sums for an IC is, well, lame. Hello, it's a few inches of metal, its spsd to be cheap!
Amps suffer a similar problem, and I suspect most ppl purchase based on the mojo factor as well. To put it simply, portable amps suck. The basic designs are identical, the variations are circuit implementation and design, and component quality. I've never heard the Lisa or a Pico, but I've heard the RSA amps many times, including the feted SR71. So too the Corda Move and of course my recently acquired iBasso D3. They all suck. The price in relation to sound, compared to dedicated desktop or home units, is pretty abysmal. It's an unfair comparison, but a universal truth in terms of absolute SQ. And once again, whatever improvements in bass extension and definition, airiness, imaging, and whatever fancy superlatives you can throw in - and there are improvements, certainly - get obscured by background noise.
ICs, amps, caps (external capacitors! can you imagine it, it's like carrying a freaking bomb around! And after all the effort Apple puts into shrinking their players down..) - none of them will truly give you a instant "wow" effect on the go, which is what they were intended for. You'll hear more improvement changing eartips to get better isolation. Granted, I don't have golden ears..but I do think I'm more experienced than the majority. And yes I see the folly of investing too much in the head-fi hobby. I've nvr liked the term audiophile, it somehow depicts one who is more in love with the sound than with the music. Well, listening to Westlife on a pair of Stax electrostatic cans isn't gonna make me suddenly like them..at the same time, I still enjoy my music even through the terribad Kenwood system in my parent's car.
The main reason I bought the D3 is cos good portable sources are kinda non-existent. Apple's pre-amp, even on their latest iPod range, falls short. Cowon, Zune, Creative, Sanza etc are too ugly, expensive, or difficult to use, and most of them don't have a true line-out, one of Apple's trump cards. So unfortunately, short of getting an iMod, the only way to improve my source is to get an amp. The .22 was alright but honestly not much better than the iPod by itself. In the event I get a larger headphone, I'll also need an amp to drive it so i'll just take it as an investment for the future. A good portable DAC is also sth I've been eyeing for a long time, since using headphones on computers without one just kills your ears. The Go-vibe was decent, but once again the D3 is alot cleaner and clearer.
I recently tried the legendary-before-it-was-made Westone 3, and the soon-to-be-legendary Sennheiser IE8. Both are ~$600, and sound better than any IEM i've tried, regardless of amping. The best universals - one balanced armatures, the other dynamic driver - cheaper than most amps. I was sorely tempted to get either (or both o.o) but I still enjoy my atrio alot so I'll resist the upgraditis. In any case, they won't sound 2x better than the atrio even at over 2x the price - diminishing returns is a painful reality, so is financial responsibility. Anw, I've made a couple of resolutions regarding audio equipment for the coming year(s): 1. No more upgrading of amp/DAC/IC. 2. Save for the W3/IE8 and forever be satisfied, covet not after customs. 3. Save for a very good pair of headphones and forever leave head-fi. 4. Never, ever, wander into home hi-fi territory until I have over $50k in savings. 5. Stop looking at new guitars. Thx for reading, sorry about your eyes. I like this font type and size!
between the click of the light
and the start of the dream
note: refresh page after posting
and the start of the dream
talk.
silence from you is like the death of a tune
i was dropped from moonbeams
and sailed on shooting stars
Pitchfork
Lifehacker
Slate
Neil Gaiman's journal
Gorilla vs Bear
Stereogum
StumbleUpon
Daily Dose of Imagery
The Onion
Daytrotter Radio
Quest Studios
Home Star Runner
Guitar Praise
FAIL Blog
Wallpaper*
A Heart Can Stop A Bullet
2 or 3 Things I Know
July 2008
August 2008
September 2008
October 2008
November 2008
December 2008
January 2009
February 2009
March 2009
May 2009
June 2009
July 2009
October 2009
February 2010
March 2010
May 2010
and sailed on shooting stars
links
ctrl + left click
Pitchfork
Lifehacker
Slate
Neil Gaiman's journal
Gorilla vs Bear
Stereogum
StumbleUpon
Daily Dose of Imagery
The Onion
Daytrotter Radio
Quest Studios
Home Star Runner
Guitar Praise
FAIL Blog
Wallpaper*
A Heart Can Stop A Bullet
2 or 3 Things I Know
archive
the law of dreams is to keep moving
July 2008
August 2008
September 2008
October 2008
November 2008
December 2008
January 2009
February 2009
March 2009
May 2009
June 2009
July 2009
October 2009
February 2010
March 2010
May 2010
wish away your nightmare
you've got a light you can feel it on your back
WTS
Psychology txtbook, Santrock 7th ed $40
OM Labs Sahasrara $175
ProCo Rat 2 =( $140
Creative X-Fi XtremeMusic $70
WTB
Inquiries pls pm me on msn/fb, thx
original template by DancingSheep
you've got a light you can feel it on your back
misc
so goes the backing track of all the sighs we ever sighed
WTS
Psychology txtbook, Santrock 7th ed $40
OM Labs Sahasrara $175
ProCo Rat 2 =( $140
Creative X-Fi XtremeMusic $70
WTB
Inquiries pls pm me on msn/fb, thx
original template by DancingSheep